Russian avant-garde

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Abstract art. Vasily Kandinsky, Kandinsky's first abstract watercolor (Study for Composition VII, Première abstraction), painted in 1913[1]
Rayonism. Mikhail Larionov, The Glass, 1912
Suprematism. Kazimir Malevich, Black Square, 1915
Proletkult. El Lissitzky, Beat the Whites With the Red Wedge, 1919

The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum and Neo-primitivism. Many of the artists were born, grew up or were active in what is now Belarus and Ukraine (including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, Wassily Kandinsky, David Burliuk, Alexander Archipenko), these artists are also included the Ukrainian avant-garde.

The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the ideas of the avant-garde clashed with the newly emerged state-sponsored direction of Socialist Realism.

Artists and designers[edit]

Notable figures from this era include:

Journals[edit]

Filmmakers[edit]

Writers[edit]

Theatre directors[edit]

Architects[edit]

Preserving Russian avant-garde architecture has become a real concern for historians, politicians and architects. In 2007, MoMA in New York City, devoted an exhibition to Soviet avant-garde architecture in the postrevolutionary period, featuring photographs by Richard Pare.[2]

Composers[edit]

Many Russian composers that were interested in avant-garde music became members of the Association for Contemporary Music which was headed by Roslavets.

See also[edit]

References[edit]

  1. ^ Wassily Kandinsky, Untitled (study for Composition VII, Première abstraction), watercolor, 1913, MNAM, Centre Pompidou
  2. ^ "Lost Vanguard: Soviet Modernist Architecture, 1922–32". MoMA. 2007. Retrieved 1 August 2019.

Surviving Suprematism: Lazar Khidekel. Judah L. Magnes Museum, Berkeley CA, 2004 Lazar Khidekel and Suprematism. Prestel, 2014 (Regina Khidekel, with contributions by Constantin Boym, Magdalena Dabrowski, Charlotte Douglas, Tatyana Goryacheva, Irina Karasik, Boris Kirikov and Margarita Shtiglits, and Alla Rosenfeld)

External links[edit]