Wild Man Blues
|Wild Man Blues|
|Directed by||Barbara Kopple|
|Produced by||Jean Doumanian|
|Edited by||Lawrence Silk|
|Distributed by||Fine Line Features|
|Language||French, English, Italian|
Wild Man Blues is a 1997 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen. The film takes its name from a jazz composition, sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong, and recorded (among others) by each of them. Wild Man Blues is rated PG (Parental guidance suggested) because the film includes several profanities.
The film depicts Allen's love of early 20th century New Orleans music by preserving performances on the 1996 tour in Europe by his New Orleans Jazz Band. Allen has played clarinet with this band for over 25 years.
- Dan Barrett, on trombone
- Simon Wettenhall, on trumpet
- John Gill, on drums and vocals
- Greg Cohen, on bass
- Cynthia Sayer, on piano
- Eddy Davis, band director, and on banjo
- Allen, on clarinet
Since the deletion of its original, contemporaneous VHS releases, the film has had only an afterlife on DVD. In April 2012 the film was featured as a bonus disc on an Australian box set of Allen's films, and similarly appeared as an extra in a UK Region 2 box set in July 2014. Although the film is not available as a standalone DVD in any of the main English-speaking countries, it has been released singly in various Region 2 pressings around Europe, with relevant (optional) subtitles.
On review aggregator Rotten Tomatoes, the film holds a 86% approval rating based on 37 reviews. Roger Ebert stated "[Kopple] might seem an unlikely choice for this material, but no doubt her track record gained Allen's trust." Maitland McDonagh of TV Guide commented "Die-hard Woody Allen fans will be grateful for even these small glimpses of their idol at his most unguarded, but the less-devoted would be better off renting ANNIE HALL." Janet Maslin of The New York Times wrote 'In her unexpectedly delightful documentary about Woody Allen as jazz musician, Barbara Kopple demonstrates cinema verite at its most seductive. Her Wild Man Blues invites its audience to take a grand tour of Europe, listen to jauntily exhilarating music and regard Mr. Allen in a colorful new light." Keith Phipps of The A.V. Club stated "...Wild Man Blues nicely conveys a sense of its subject's dedication to his craft... Those interested in Allen simply because he's Allen will want to see Wild Man Blues, but in the end, Kopple has been given a couple of interesting subjects (New Orleans jazz in its current state and Woody Allen), and her film fails to get at the heart of either."
- Wild Man Blues (1997), retrieved 2017-09-11
- "Wild Man Blues (1997)". Letterboxd. Retrieved 28 May 2019.
- Lazere, Arthur. "Wild Man Blues". culturevulture.net. Retrieved 28 May 2019.
- Ebert, Roger. "Wild Man Blues Movie Review & Film Summary (1998) | Roger Ebert". www.rogerebert.com. Retrieved 2017-09-11.
- "Wild Man Blues (1998)". Rotten Tomatoes. Retrieved 28 May 2019.
- Ebert, Roger (May 15, 1998). "Wild Man Blues Movie Review & Film Summary (1998) | Roger Ebert". RogerEbert.com. Retrieved 28 May 2019.
- McDonagh, Maitland. "Wild Man Blues | TV Guide". TVGuide.com. Retrieved 28 May 2019.
- Maslin, Janet (17 April 1998). "FILM REVIEW; It's Almost Like a Woody Allen Movie, but Wait: It's Real Life!". The New York Times. Retrieved 28 May 2019.
- Phipps, Keith. "Wild Man Blues". The A.V. Club. Retrieved 28 May 2019.